Simply the hottest footage! Join Jacqueline Lovell on a tour to show you what Surrender Cinema is all about!

In 1906 in Connecticut, Elisha Hunt, the 55-year-old curator of a small government museum, marries Abigail, the 19-year-old daughter of a local farmer. In addition to the differences in their ages in this May-to-December union, Elizha is a man of culture while Abigail is uneducated. Bruce Edridge, young, handsome and wealthy, comes into her life, and they fall in love. Abigail is now faced with two choices; the chance of wealth versus her present mediocre circumstances, or her love for Bruce versus her loyalty to Elisha.

We came to the Robert Flaherty Film Seminar to present Jack Smith's film Flaming Creatures, although we were not included among the official guests. We slept outside and experienced Vermont night in our bones. The morning was beautiful and we all felt great, we felt we that we were the "Monks of Cinema." The eye-pod will give you another glimpse into my way of filming.

A unique experience that immerses us in the history of experimental 3D techniques. Programmed and presented by filmmaker Blake Williams, the spectator will combine a diversity of three-dimensional glasses (Anaglyph, Pulfrich, ChromaDepth, Diffraction) with 16mm works by Paul Sharits, Hy Hirsh, Ken Jacobs, Takashi Ito, Kerry Laitala, Jeff Scher and Jodie Mack. Filters that change from one eye to the other, optical polyrhythms and illusions of depth, all will be part of this unforgettable Cinema of the Spectacles‘ journey.

A humorously semi-factual account of the history of cinema.

This is an intimate and personal story about women who were supposed to be the children of complete and total socialism, about the environment they grew up in, their youth and their life now. Teacher Lapaine’s class reunion happens every year on March 21. This year is no different. Just like 25 years ago, when director Una Celma first documented her classmates in a film under the same title. The traditional table is set with beverages, cakes and candy, and the yearly photo taken. Nowadays, they are mothers, aunts and grandmothers. Their fates have changed, but what about themselves?

One of the first socially relevant poetic films in Latvian cinema history, documenting the lives of female workers at a fiberglass factory – their work, leisure, dreams, hopes, and also the problems caused by the "influx" of young women into the small town after the factory was built.

In Marseille Father Hermann has created a home for the ex-prostitutes to accommodate a new start to a better life. But it does not take long to arouse the anger of the pimps, and especially of Charly, one of the "bosses" who uses are criminal means to convince those that dare to fight his rules and territory. But several of the girls and women are not afraid of Charly and his gang. They have all been to the bottom of existence. But father Hermann is running out of resources.

In Grenoble, a prostitute is murdered in her hospital bed. Cora twenty-two and also a prostitute was one of her friends. On a daily basis these women suffer violence receive a miserable salary and work non-stop in terror of the pimps.

A wealthy writer who has had terrible experiences with money-hungry girlfriends & ex-wives pretends to be a broke, washed-up novelist to see if the woman he loves wants him for himself or just for his money.